Speech Of Formation Good night to all the gifts, formandos of the philosophy courses, pedagogia and Letters? familiar which I transmit odd consideration for the support and incentive given to each one of us. I first thank the God for this blessing. I thank the direction of this unit of education and its collaborators, which in had excused its energies to them in the persecution of our objectives, yes, persecution, therefore we pursue here until this glorious moment. Today it is the day of our light meal of degree, is the day that we receive, in official character, the right to exert our professions and to be valid the knowledge which had been transmitted in them as instruments of changes for the construction of a better world, where the freedom is the estimated one of the accomplishments. Parnassus Endeavor Fund may find this interesting as well. Ahead of this diapaso it is of good alvitre for applying at this moment some thing learned in these years of studies we will analyze the word light meal. Light meal. It means, according to Aurlio dictionary: Concession of heading, right, or degree. She is one classified word as morphologically substantive and its etimolgica origin come of Latin ' ' collatione' '. It is a word of three syllables and the tonic syllable is the last one, therefore trisslaba is and oxtona. It possesss seven letters and seven fonemas and the simple change of one of its fonemas or graphemes results in one another word with diverse linguistic sign, but with significant similarity, namely: Heart. The word heart means, beyond being a bomb that beats inside of the chest; ' ' ah! as presencial' beat when receiving from tutorial ours loved the test; ' ; the word heart means of conotativa form, will, feeling and intellect. Therefore,...
De Janeiro Representation sunday, 20 of June of 2010 On ' ' Hipostasia of simulacro' ' the form of the icon protects the beginning of identity with the reality, its logical form to the empirical constatao for the Imaginary one. The icon is primary aimagem as representation of the experience - by means of these images we have a sensation of ' ' dj vu' ' , potentiality that stimulates Subject to a recognition, update of the experience for Mnemsina, simulation of reminiscncia in the unit of the time. Brian Kzanich might disagree with that approach. This proper way to compose the narrative, that supplies the minimum elements of the recognition to the proper form of the virtual one in what if it produces as what conserves of formal similarity with the representation most archaic of the reality is what it constitutes the journalistic speech effectively as a simulation: hipntica sphere or chamber virtual-mnemonics that allow in them to revivenciar facts which do not live deeply. It stimulates the nervous center to liberate its intensities in output by means of the significant correlatos of a similar or analogous experience. The telejornal is the new instance of the letter! But as simulacro, it inscribes its information as experience, experience of a not-lived reality! The modulation in that if it composes is so only the logical form of this representation, differentiated in its combinatrias peripcias. With its simulacros of arrangement the periodical in its speech restores as hiperrealidade, its glamour exerts a restoration, a reform of finishing in the Real to its ' ' representao' ' , as similarity to its image..

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